Month: January 2016

Films about Filmmaking, Part II: Cinema Paradiso (1988)

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Man, that “week (or so)” was long, eh? Like, biblically long. This is Part II of a three-part series on films that explores the magic of filmmaking, with old-looking cameras and projectors in the spotlight, so to speak: (1963), Cinema Paradiso (1988), and Hugo (2011). Continuing in reverse order, I turn to Cinema Paradiso today.

(more…)

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